Christopher Morrison
Reality+, LLC
An award-winning writer/narrative designer/director Morrison has worked on more than 200 projects across immersive theater/VR/video games/film/traditional theater/circus. He's worked with/on Cirque du Soleil, AAA games, metaverse gaming activations for P&G, and his VR piece "The Werewolf Experience" was the number one attraction at the NEUU Space in Tokyo for three months and was one of three immersive pieces to play Cannes in 2022.
Christopher is the Digital Experience Director for the metaverse/musical hybrid “How the Light Gets In” a recent six-figure grant recipient in the US. He recently spoke at the UK House of Lords about new forms of storytelling.
He's worked with Hollywood actors and beginners alike and is an expert teaching artist as well with 20+ year’s experience teaching everything from university students to young children, and he's an Adjunct II Professor teaching immersive storytelling at The California College of the Arts.
Christopher Morrison is speaking at the following session/s
Narrative VR and Its Bright Future (we all hope)
A case study of The Werewolf Experience a restricted 6DoF interactive branching narrative VR piece where players have to use their own voice to howl like a wolf to trigger the branches in the story. It played Cannes and was the top attraction at the NEUU Space in Tokyo for three months. We will also look at the long-tail of the experience as it continues to monetize through VR arcades, site-specific events, and home release. We will also look at why Narrative VR is the next big thing as LBE shooting events become more and more passé.
Session Takeaway
- Options for monetization of VR games and narratives and who to contact (and why)
- Key overview of current VR ecosystem
- Why and what interactions work for VR pieces and how to counter problems
Session speakers
